We all have our thing. Some women appreciate men in military uniforms. Others fawn over firemen, sports heroes, movie stars, or go crazy at rock concerts. I develop crushes on men with keyboard-calloused fingers. Not music keyboards. Computer keyboards.
Wit and intellect, a way with words, and I get weak in the knees. It’s no surprise, really, that I think Tim Keller, senior pastor of Redeemer Presbyterian Church in New York, should be voted “Sexiest Man Alive.” In my mind, best-selling author Don Miller could easily be a first runner-up to wear the SMA satin sash. Or maybe the “Sexiest Man Alive” title is etched on a leather tool belt. I don’t know.
For my birthday, my girlfriend Debbie bought tickets for us to hear Don Miller talk about his latest book, A Million Miles in a Thousand Years. I felt like a recipient of the Make a Wish Foundation except I wasn’t going to Disneyland. And I’m not terminally ill that I know of.
I had to promise Debbie that I wasn’t going to rush the platform and throw underwear on the stage. Don was, after all, speaking at the Eastside Foursquare Church. Worshipful conduct was in order. Maybe an alabaster jar and some perfume…
Don spent an hour talking about the components of great stories: the narrative arc, the protagonist and antagonist, conflict, climax and denouement. Well, maybe Don didn’t say “denouement,” but there was a great section on story arcs. Story arcs may not sound humorous, but when Don’s narrating it, characters and conflict are seriously funny.
Turns out the upcoming film version of Don’s New York Times bestseller, Blue Like Jazz strays a bit from reality because Don’s actual life writ large is too boring for the big screen. (That’s not my opinion. I think men in front of computer monitors are studs.) The filmmakers decided Don’s life needed some gentle embellishment.
As Don explains it, great stories–in movies or in real life–are all about a series of events. It’s what someone is actually doing more than what a character thinks or feels. That’s not to say that a good film has to be an action movie—car chases and cool stunts—or that what a character thinks and feels is irrelevant. But no one can see what someone thinks unless it’s demonstrated through actions. You don’t know what someone feels unless he shows you.
To make a movie interesting, you have to a string together a series of events with a character who wants something and overcomes conflict to get it. More than that, what he wants has to matter.
“If you watched a movie about a guy who wanted a Volvo and worked for years to get it, you wouldn’t cry at the end when he drove off the lot, testing the windshield wipers…Nobody cries at the end of a movie about a guy who wants a Volvo. But we spend years actually living those stories, and expect our lives to feel meaningful,” Don writes. “The truth is, if what we choose to do with our lives won’t make a story meaningful, it won’t make a life meaningful either.”
Don went on to talk about how assiduously we avoid pain and conflict in our lives. Yet grand stories are about the transformation of a character; and pain and conflict are the main tools that produce change in our lives.
Nobody changes because they have something happy happen to them, Don says. We change through hardship and pain and through the pressure of difficult experiences.
That’s a concept. Embrace challenges. Welcome pain as an element that’s going to produce a grand story in your life. I’m conflicted over the concept of conflict in my life, but when I’m thinking of lifelong wishes, it occurs to me that ultimately, we really are all terminally ill. Some of us just know the timing a bit better than others.
When the credits roll, it would be nice to have lived a grand narrative. It would be great to invest my time and energy into actions that make a difference in the end.
My life? It’s the stuff that movies are made of. I’ll tell you all about it while I’m folding the laundry…